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Textiles Minister Launches Project SU.RE, A Joint Project Of CMAI And IMG Reliance, On Sustainable Fashion Day at the Lakme Fashion Week

~Project SU.RE is Indian apparel industry’s largest commitment to move towards sustainable

The Union Minister for Textiles, Smt. Smriti Zubin Irani launched Project SU.RE, a move towards sustainable fashion, at Lakmé Fashion Winter/Festive 2019, in Mumbai on 22nd August 2019. The project has been launched by the Minister, along with the Clothing Manufacturers Association of India (CMAI); United Nations in India; and IMG Reliance, the organizers of Lakmé Fashion Week. Project SU.RE is an initiative by CMAI, the largest apparel industry association and IMG Reliance, the leader in sustainable fashion movement in India.

The SU.RE project is a commitment by India’s apparel industry to set a sustainable pathway for the Indian fashion industry. SU.RE stands for ‘Sustainable Resolution’ – a firm commitment from the industry to move towards fashion that contributes to a clean environment.

Addressing the gathering, the Textiles Minister said: “As a proud Indian, I stand here today to witness history. I would like to tell the United Nations that this has become possible due to the initiative of the industry, IMG Reliance and Lakmé Fashion Week. We are celebrating the 150th birth anniversary year of Mahatma Gandhi, who asked us to be the change you wish to see in the world. The sustainability resolution being adopted today is reflective of that very thought of the Mahatma.

Never before have 16 of the biggest brands of India come together to save the earth. The combined industry value of the 16 signatories to the resolution is around 30,000 crore rupees. Everything we consume, we have to consume responsibly. The step taken today makes for not only responsible business but also smart business. The Sustainability Report 2018 states that sustainability is the 4th criterion considered by consumers while choosing products. I am grateful that UN in India is also here to support this endeavor. Best wishes for this amalgamation and confluence of what is purely Indian thought.”

Rahul Mehta, President of the Clothing Manufacturers Association of India said: “In the past, several products and processes of our industry were not environment-friendly. It is a tremendously responsible and timely step taken by the apparel industry of India, especially the signatories, to commit to move towards sustainable fashion. It is a matter of pride for us at CMAI to be associated with and be one of the drivers of this most crucial Resolution.”

As leaders and representatives of the industry, the signatories to the pledge for project SU.RE are sixteen of India’s top fashion and retail brands and CMAI members such as Future Group, Shopper’s Stop, Aditya Birla Retail, Arvind Brands, Lifestyle, Max, Raymond, House of Anita Dongre, W, Biba, Westside, 109F, Spykar, Levi’s, Bestsellers, and Trends among others. The signatories have pledged to source/utilize a substantial portion of their total consumption using sustainable raw materials and processes, by the year 2025.

Renata Lok-Dessallien, Resident Coordinator, United Nations in India said: “The future of design is foremost about design with a future. Without sustainable supply chains, the fashion industry will become less and less viable. Project SU.RE opens a new dialogue to accelerate concrete actions for sustainability and climate action, and reduce environmental costs, through the entire value chain of clothes manufacturing. I congratulate the 30 brands and companies that have signed on to Project SU.RE.”

Mr. Jaspreet Chandok, Vice President and Head of Fashion, IMG Reliance said: “This is a culmination of our stated goal towards making sustainability a mainstream conversation. This initiative will be the start of a movement that can have massive impact and we hope to see significant change to come through over the next five years as major retailers move towards embracing sustainability at their core.”

The launch of project SU.RE at Lakme Fashion Week was supported by the Lenzing EcoVero that stands for ecologically responsible production of viscose fibre made from the renewable & certified raw material wood, and R Elan that produces Green Gold fibre made from 100% used PET bottles with one of the lowest fibre carbon footprints globally.

The five point Sustainable Resolution are as follows:

Develop a complete understanding of the environmental impact of the garments being currently produced by our brand.
Develop a sustainable sourcing policy for consistently prioritising and utilising certified raw materials that have a positive impact on the environment.
Make the right decisions about how, where, and what we source across the value chain by selecting sustainable and renewable materials and processes and ensuring their traceability.
Communicate our sustainability initiatives effectively to consumers and media through our online and physical stores, product tags/labeling, social media, advertising campaigns and events.
Through these actions shift a significant percentage of our supply chain to a sustainable chain by the year 2025, addressing critical global issues such as climate change, contributing to the UN Sustainable Development Goals, and building a world that is safe for the future generations, as an acceptance of a responsibility we all share.

This pledge will send a strong message to various stakeholders and producers in the apparel supply chain and encourage a larger sustainable approach to production that reduces the impact on environmental and social dimensions. It will address the needs of an increasingly conscious consumer ,who would prefer to buy from a brand that engages in environmental protection. It will also underline the need for collaboration across the sector in order to bring about innovation and transformative change. Project SU.RE aims to contribute to the UN Sustainable Development Goals 2030, especially SDG12 for responsible consumption and production.

Photo Caption 1: Mr. Jaspreet Chandok Vice President and Head of Fashion, IMG Reliance , Ms.Renata Lok – Dessallien – Resident Coordinator, United Nations in India , Smt. Smriti Zubin Irani – Union Textiles Minister and Mr. Rahul Mehta – President of the Clothing Manufacturers Association of India and retail brand CEOs at the inauguration of SU.RE

Gaurang’s Spectacular Peshwai Collection An Ode To Historic Textiles At Lakmé Fashion Week Winter/Festive 2019

Historic textiles and stunning weaves dazzled on the catwalk as Gaurang unveiled his fabulous “Peshwai” collection at Lakmé Fashion Week Winter/Festive 2019.

The show opened to the strains of live music and singer Gargi Siddhanth, disciple of Pandit Jasraj who melodiously sang throughout the show as the models walked gracefully down the ramp.

Highlights

The rich weaves of Paithan rose to great splendour during the Mughal Era but Peshwa Bajirao brought this glorious textile in the 18^th century to Baroda. The “Peshwai” collection on the runway was a grand mélange of fabrics that were from the Deccan Plateau and associated with Peshwa royalty.

Presentation of traditional textile in a modern mode as he brought the 18^th century motifs to centre stage but in a new avatar. The designer further experimented with the checked Kota Doria turned it into a jamdaani canvas and patterned with Persian designs and mosaics.

In addition, Gaurang cleverly accentuates the intricate mustard seed Bandhani for the ornate weaves. With a collection so rich and regal the colour canvas had to match its beauty. Here the designer creatively played with pure white, which gently flowed into shades of yellow, orange and rose red.

Fashion Took A Stylish Turn Collections By Antar Agni And Urvashi Kaur

An Antar Agni collection by Ujjawal Dubey

A creative expression of the designer’s thought processes, style and construction. For the Winter/Festive 2019 season, Antar Agni by Ujjawal Dubey had a grand offering of unisex clothing for men and women that will be perfect, practical additions to their wardrobes.

Highlights

The Antar Agni brand brought the concept of great drapes and layering to men’s wear and opened the unconventional design path for fusion and ethnic wear. This creativity was taken to women’s wear, which then ended up turning into unisex ensembles.

The mélange of draped, fluid kurtas and tailored jackets revealed the complete control, designer Ujjawal Dubey had over his label’s fortè.

Keeping the colour story partial to ivory, Ujjawal turned towards strokes of pigeon blue, mouse grey, teal, deep brown, tan and hints of silver grey to cater to the Winter/ Festive season.

Fabric Choice

Linen blends, hand woven cotton, cotton zari and cotton silk.

URVASHI KAUR

A TREASURE TROVE OF FABRICS, EMBELLISHMENTS & DESIGN

Titled “Masira” the collection was thoroughly expressed with inspirations from the works of Ethiopian artist Dawit Abebe, whose paintings and graphic colours formed Urvashi’s collection backdrop.

Shade Card

Grey and black and then swiftly moved to inserts of teal, ecru and deep blood red. To this color board, Urvashi added Shibori in multi-colors and some tactile thread work along with block prints.

Fabric Choice

Hand woven Khes from Punjab, detailed Shibori, tie-dye from Churu in Rajasthan and then chose Maheshwari silks form Maheshwar.

There was also hand-woven Khadi from the Women Weave that supports and empowers women artisans in Madhya Pradesh.

Highlights

Symmetry in Urvashi’s engineered silhouettes.

Multiple panels balanced with seams and woven stripes.

Her leitmotif has always been intricate hand pleating, which was creatively seen on natural textiles along with Kantha work.

Models walk the ramp during day 2 of LFWWF19, Show 8 Antar – Agni , Urvashi Kaur held at St.Regis in Mumbai on 22nd of August 2019. Photo : Focus Sports/ LFWWF2019/ IMGR

Grand Success of Diadem Miss India & Mrs India Legacy 2019

National pageant Diadem Miss India and Mrs India Legacy 2019 in association with Signature Global, Artemis Hospital organised at Kingdom of Dreams was a grand success. With star studded evening including Actress Model Aditi Govitrikar, International Film Producer Mike Berry, Bollywood Casting Director Mukesh Chhabra, Celebrity Life & Pageant Coach Rita Gangwani were all praising the extraordinary show format calling it one of the most unique and amazing format ever put up.

Miss and Mrs category ladies in costumes by JD Institute, IDA institute, Ashfaq Ahmed, Wardrobe by Neetu Rajput; set the ramp on fire in presence of Paparazzi.

Cabinet Minister Haryana Government Shri Vipul Goelji was Chief Guest and appraised the revolutionary movement #MasikSatya a social initiative on Health & Menstrual Hygiene Awareness initiated by Diadem under the leadership of Director Founder Amisha Chaudhary.

Winners were selected basis on three day rigorous competition and grooming by renowned skin care specialist Dr Urvi Panchal and other industry experts.

Winners were announced in presence house full auditorium of KOD Gurgaon.

List of Winners is as under.

Mrs. India legacy 2019 (Regular)

Vibha – Winner

Sapna Punni- 1st Runner up

Dr. Manjusha – 2nd Runner up

Mrs. India legacy 2019 (Classic)

Shweta Shrivastava – Winner

Neha lal- 1st Runner up.

Garima sharma- 2nd Runner up.

Diadem Miss India 2019

Shivani Parihar – Winner

Deepali Naruka – 1st Runner up.

Shama shaikh- 2nd Runner up.

KURTA 2.0 BY ABRAHAM & THAKORE

DAY TWO ENDED WITH THE SPECTACULAR LAUNCH OF LENZING™ ECOVEROTM BY ABRAHAM & THAKORE

It was the launch of LENZING^TMECOVERO^TMa superb sustainable and environmentally responsible viscose fibre that was turned into a grand collection of iconic Indian kurtas by top designers Abraham & Thakore.

LENZING™ ECOVERO™ is an innovation by the Lenzing group, makers of TENCEL™ fibres. This will be the first showcase of LENZING^TMECOVERO^TM as a fibre ingredient at the Lakmé Fashion Week and their first collaboration with the designer brand to include a range for both men and women’s wear.

The development of this collection started with ECOVERO^TM fibres used to produce fine sustainable fabrics. The inspiration behind this year’s collection was to blend the old traditional carving and printing method with new-age technology to reinvent the timeless and customary Kurta – integrate the state of art manufacturing technology of ECOVERO^TMfabric with the age-old textile wooden hand block printing.

LENZING^TMECOVERO^TMis a sustainable viscose brand manufactured only from certified and controlled wood sources and produced with significantly lower emissions and water than generic viscose. This is a substantial upgrade from normal viscose, which is known for its not so environment friendly production process. This ensures tailoring sustainable lifestyles choices, contributing to a cleaner environment.

The show opened with the melodious scatting by Shri from Hyderabad, who provided the background music throughout the ramp walk of the models. Keeping the theme and the detailing in control, the designers presented men’s kurtas – some with epaulets, and strategic placement of dots, lines and leaf appliqués. In addition, there were superbly finished dhoti/kurta duos, hoodies, shorts, blousons, tunics and relaxed wide pants.

Women’s wear featured elegant saris, skirts, ombré shirts, 3D leaf appliquéd skirt, kurtas also with epaulets, mini pencil skirt, cropped tops, handkerchief-sleeve black/white dress and striped mini with patch pockets. The black sari and comfy kurti, diagonal striped dress, a gorgeous white sari with cascading black leaf appliquéd pallav, the white-on-white 3D leaf embellished maxi and the color blocked black/white/brown slit-sleeved midi were creatively designed.

Highlights

The collection “Kurta 2.0” celebrated the traditional kurta, India’s more loved garment, which originated in Central Asia and is now a staple of not only in India but also globally.

Designers played with the proportion of kurta and worked on experimentation with the ‘kali’, which is the age-old system of cutting developed over centuries to prevent wastage but allow great movement.

Drapes, folds and prints added to present the kurta in a new avatar.

Shade Card

Neutral choice of black, ivory, olive and khaki; while the leaf, a line and just dots as motifs inspired the detailing.

Showstopper

Athiya Shetty wears a black/white, broad, striped sari with a frilled edge and a matching choli.

Sixth generation textile conservationist from Hyderabad, Sailesh Singhania brought to Delhi, a treasure trove of heritage handlooms, textiles and antique sarees

Marking his solo debut in the national Capital, textile revivalist and conservationist designer Sailesh Singhania exhibited his exquisite collection of handwoven saris painstakingly crafted by clusters of weavers from different parts of the country. Held at The Claridges Hotel, New Delhi, the exhibition titled Shaahana also featured luxe jewels from the house of Apala by Sumit.
Highlights
Collection features a combination of age-old techniques like the Jamdani, combining it with Khadi, and embellishing it with intricate motifs inspired by modern Japanese art, thereby bringing a plethora of cultures and traditions together and culminating them into one final creation.
Each sari was woven painstakingly over a laborious period of over 8 months to match the unparalleled beauty of our muse.
The royal Banarasi silk, is assiduously woven with motifs inspired by the sun and the moon, the natural forces upon which life sustains and society thrives.
The motifs embody nature and its interaction with the human race, like an orchestrated symphony of life in the weave.
Sailesh Singhania on his collection
“We have brought Delhi a collection of heritage handloom sarees, revived from the era of the Nizam’s exalted dynasties. Our label celebrates the glory of Indian textiles such as Paithani’s, PatanPatola’s, tissue Kanjeevarams and Khadi Jamdani. I am humbled to be a part of the weaving community which carries such a rich and artistic history.”
Sumit Sawhney on his jewelry
“Creating jewellery is my prayer, an ultimate joy, and my connect with Nature and God. It’s a pleasure to showcase along with Sailesh, the melange’ of our aesthetics would be of interest to the fashion mavericks, artists, brides to be, serenely graceful and the intellectuals.”

“Structured Pastoral’

The Label Ritu Kumar Unveiled Fresh Feminine Pastoral Fashion Directions

Inspiration

Inspired by the colors of pastoral and equestrian moods

Shade Card

The shade card was dominated by fiery red and neutral black with other brights of the rainbow added.

Fabric Choice

The fabric choice remained true to modern contemporary options with tulle, chiffon, silk and cotton along with leather that added to the fashion quotient of the creations.

Highlights

Making a major introduction into the Label Ritu Kumar look was knitwear, which offered some interesting masculine twists to the flirtatious silhouettes and styles.

The well-known prints by Label Ritu Kumar on figure-hugging dresses, as well as flirty skirts, cool blouses, and relaxed pants.

Showstopper

Tara Sutaria, wears a black, embroidered, halter, mini pinafore over a white shirt, accessorized with an exciting leather belt with floor kissing long beaded strands.

A Unique Collection at Lakmé Fashion Week Winter/Festive 2019

The opening show on Sustainable Fashion Day at Lakmé Fashion Week Winter/Festive 2019, was a unique collaboration between C&A Foundation, a corporate foundation here to transform the fashion industry, and 11.11/eleven eleven; a Prét label by the entrepreneurs Shani Himanshu, and Mia Morikawa. The two organisations came together to share a collection made from sustainable, organic cotton sourced directly from a certified producer. They also invited farmers to take the stage to share their experience of organic cultivation.

The collaboration created a dialogue about the sustainable and organic cotton movement in the Indian fashion industry. C&A Foundation was in conversation with two small holder farmers from Madhya Pradesh to elaborate on the health and economic benefits that were a result of adopting sustainable cotton farming practices. The farmers urged the audience to commit to organic not just for the farmers but for the environment as well.

THE 11.11/ELEVEN ELEVEN

To the melodious strains of Indian music by a quartet, the show unveiled the beauty of cotton in all its glorious looks.

Fabric Story

Khadi Cotton, organic cotton and from organic cotton manufacturers of knits along with chambray Khadi.

Shade Card

The Khadi was in solid and natural yarn dyed stripes in varying weights, while some of the cotton was from an indigenous rain fed organic cotton called ‘kala’ cotton from Gujarat.

Highlights

Top stitches, pleating, gathers, wide diaphanous silhouettes came together seamlessly.

Men’s wear was relaxed, with Bandhani and chambray playing an important role for kurta, shorts, hoodies, joggers, and overall with large Bandhani, hand spun denim pants and indigo patch work bundi with kala cotton pants.

Shade Card

The colour story remained true to indigo with the dyeing being 100 per cent natural that was from indigo leaves, pomegranate shells, ferrous and tamarind seeds, as well as hints of charcoal, yellow, smoke, ecru and light blue – all shades that were very earthy.

A High-Tech Fashion Presentation

It was an exciting high-tech fashion presentation of couturier Amit Aggarwal’s “Flux” collection, made from R|Elan™ FreeFlow fabric by Reliance Industries Limited (RIL).

The “Flux” collection is Amit Aggarwal’s perfect luxury men’s and women’s wear offering.

Highlights

Very noticeable were Amit’s distinct signature recycled polymer strips on the ramp along with the geometric compositions in the form of sheer sultry wraps, exaggerated sleeve detailing, strong power shoulders and some feminine billowing skirtsL

Dramatic fine draping and 3D embroidery, which added to the extreme construction of the ensembles.

Shade Card

Bright emerald, petrol, purple and plum, which were impressively balanced with gold, blush, silver and ivory.

Highlights

Women’s wear was opulent with polymer strips for long-sleeved mini, sheer skirt over body suit, pleated long gown and draped neo sari. The ombré blazer over a draped skirt, shimmering peplum blouse, grey midi dress and the red plisséd halter maxi were stunners on the ramp. The draped sari and another shimmering plain/striped sari, as well as the mini with impressive shoulder trails created a futuristic look for women.

Showstopper

Lisa Hayden

Men’s wear was as adventurous and matched the polymer strip detailing also seen on battle jackets, plisséd one-sleeve shirt, boxy oversized trench coat and waist coat with shirt

Showstopper

Hardik Pandya

Excitement with Four Dynamic Collections

The Fast-Paced High Energy STREETFEAT Show

The “STREETFEAT” show broke all norms at Lakmé Fashion Week Winter/Festive 2019 with a trendy, hip-hop presentation by four Street Wear Unisex brands that have never been seen on the ramp. It was a great opportunity for lovers of unconventional, unisex, androgynous clothes to get their sartorial requirements upgraded with brands that are nationally and globally well known. To the beat of super-fast music, the models literally zoomed down the ramp in clothes, which announced that fashion now means hot selling unisex apparel.

SIX5SIX STREET BROUGHT UNISEX COMFORT WEAR TO LAKMÉ FASHION WEEK WINTER/FESTIVE 2019

When comfort and clothes must go together it is the Six5Six Street brand that will be the perfect choice. Created by Avni Aneja and Ambar Aneja, the brand rocked the ramp at Lakmé Fashion Week Winter/Festive 2019 with a casual athleisure line that was ideal for HIM and HER.

Six5Six Street was a total blend of couture merged with daily life. The collection “WE 2.0” was a line of garments that set the audience thinking about humans, world and the climate.

Using knits, cotton twill and denim, the clothes had an easy fun vibe about them. T-shirts, track pants, sweatshirts, baggy jeans; cycle shorts, boxy jackets all had a distinct relaxed quality. Funky slogans on long trench coats as well as holographic prints livened up the garments on the runway.

Adding more detailing to the comfort wear, there were Velcro adjusters on the sleeves as well as a mix of prints and embroidery .

A variety of stretch denim was given a more unisex treatment with cropped jackets and wide jeans all teamed with a variety of apparel that offered several mix and match options. Shirts with drawstring pants had occasional contrast patches or large flapped pockets that gave a practical stylised detailing. Long line sweatshirts, colour blocking, worker man waistcoats, fringes, quilting, parka hoodies, paper bag waist pants.

With the final grey funky jumpsuit, the backdrop announced, “Turn on Your Camera Flash” and the audience promptly obliged.

NATASHA SUMANT’S “GUNDI STUDIOS” AT LAKMÉ FASHION WEEK WINTER/FESTIVE 2019 WAS A RAGING REBELLION OF CHANGE.

Showcasing her debut collection, Natasha Sumant presented an excellent line of bold silhouettes, at Lakmé Fashion Week Winter/Festive 2019.

With her label “Gundi Studios” the designer displayed an offbeat collection with a mix of streetwear, whose underlying motto, was to celebrate the South Asian Women, in motherland and diaspora.

“Gundi” a traditionally colloquial term for women who misbehave, was revamped on the ramp into an affirmative tone for the millennials, who carry a strong sense of freedom and joy, unaffected by worldly opinions.

Through her intricately designed outfits with zardozi, the range attempted to speak for itself. Inspiring an avalanche of change, with a strong feministic vibe, bold motifs on rebellious streetwear, created the perfect gangster effect. Sustainable fabrics like Khadi were used as a peaceful weapon to represent independent movements
and the struggle for absolute freedom in society.

Capturing the intersection of reverie and reality, monochromes of black and white merged seamlessly, to give every garment their deserved attention. High neck black satin zipped jackets, white minis, black pinafore, summer dresses, a strappy tunic over cropped pants and a white boiler suit could be ideal for both sexes.

Breaking the patriarchal stereotypes with idiomatic expressions, like “Gundi”, “Akeli” striking fashion statements came alive on the ramp.

Making her debut on the ramp was Grammy Award-nominated songwriter and rapper, Raja Kumari who was the ideal model for the label’s collection as she energetically rapped her way down the runway in a long-sleeved velvet choli and a sexy mini sari that was ideal for her persona. When it comes to garments that leave a lasting impact on the audience, Natasha Sumant’s “Gundi Studios” is for all fashionistas that dare to be different.

THE BIZKIT UNISEX CLOTHING BRAND OFFERED GREAT STYLISH APPAREL AT LAKMÉ FASHION WEEK WINTER/FESTIVE 2019

Started in 2017 the ‘Biskit’ label by designer Shruti Biswajit and artist Harsha Biswajit was aimed to create unisex clothing. At Lakmé Fashion Week Winter/Festive 2019 the brand unveiled its collection of athleisure streetwear that offered sweatshirts, track pants, over-sized shirts, trousers, skirts, T-shirts along with stylish accessories like quirky bags.

Detailing came into play with abundance as large oversized pockets, prints and tabs appeared on the blousons, parkas, jackets and cropped pants.

The ‘Biskit’ label often showcased futuristic collections, so their latest “Spaced Out” inspired by India’s space race had a marked interstellar vibe for a line that had overalls, jumpsuits and streetwear sets.

Fine art and animal prints on the garments reflected the inspiration, while the multipurpose space travel bags were ideal accompaniments. Knits, cotton and cotton blends with concept prints easily brought the outer space concept on the ramp.

‘Biskit’s’ aim is to break the concept of men’s and women’s wear, which was aptly revealed on the runway as similar apparel appeared on male and female models.

When the choice to select and wear clothes between couples gets confusing and tiresome; the ‘Biskit’ brand will solve the problem with one garment that will cater to the needs of HIM and HER.

THE JAYWALKING LABEL ZIPPED DOWN THE RAMP IN STYLE AT LAKMÉ FASHION WEEK WINTER/FESTIVE 2019

The ‘Jaywalking’ label made a great impact on the ramp at Lakmé Fashion Week Winter/Festive 2019 with its casual-cool looks. Started by Jay Ajay Jalal the ‘Jaywalking’ brand created quite an impact when Ranveer Singh wore it for the film “Gully Boy” promotions. Since then this Indian streetwear label has carved a fashionable niche with a loyal following.

The label is rebellious but had an immense positive energy that proved that its creative drive evolved constantly. With unisex being the buzz word for the collection, the apparel promised instant recognition for the wearer and the designer Jay Jalal also ensured some “luck and superpowers”.

Catering to all sizes, the collection comprised T-shirts, tracksuits, slim denim jeans, and hoodies also offered oversized jackets some high waist pants and bell-bottom denim.

Colors that were favored by this gender-neutral brand started with navy blue and then moved onto basic tones of grey, olive and brown with large doses of color blocking.

The fabric choice was quite exciting with neoprene, velvet corduroy and suiting turned into stylish fashion wear. Detailing appeared to be the basis of the ‘Jaywalking’ brand as graphic designs were combined constructively with fabric patches, trims and an assortment of practical pockets that added to the concept of surface ornamentation.

Keeping the idea of a good fit in mind the ‘Jaywalking’ collection will be a great seller with buyers who long for clothes that offer international styling in the country.

Bringing a great combination of gym street and unisex fashion Jaywalking made a fashionable declaration that detailing and style means abundant pockets, oversized silhouettes maximum patched effects when it’s a style statement has to be made.