Retropoplifestyle

FDCI India Couture Week 2020

DAY 6 Grand Finale

Ruhaaniyat by Manish Malhotra

A collection of kalidar kurtas, khada dupattas, ghararas, izar salwars for women and jama, angrakha and heavy shawls for men in pure and cotton silks, mashru, velvets, and muslins is an ode to the Mughal era. Veils that are usually ditched at this time were brought back with train lehengas. Men were seen donning angrakhas, manarkalis and velvet shawls.

Inspiration

Mughal living. Its art and architecture – vintage gardens, palaces, paintings, jewellery, museums, and costumes that are immortalized in the grand and diverse culture of India.

 Highlights

·        Majesty of old-world regalia to re-interpret the look in a more suitable palette for modern tastes. The collection constitutes a big identity of Mughal cultural nuance with archival fabrics that brings forth the real fraction of the Mughal repertoire.

·        Vintage textiles comprise of accent borders that are zari-woven in original gold and silver.

·        The voluminous silhouettes, deft embroidery, fine layering all emerge together to form a harmonious Mughal sense of style

Fabric Story

Hand-basted and hand-quilted fabrics

Color Canvas

Palettes are strictly maintained to match the hues of natural dying like teal, pistachio green, dusky pink, grey, and maroon.. 

 Muse

Jhanvi Kapoor wearing a voluminous train lehenga with intricate embroidery and a sheer veil. closed the show

#ICW2020

 #DecodingCouture.

@manishmalhotra05

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FDCI India Couture Week 2020

Day 6

Sindoori by Anju Modi

A collection that goes back in time to the roots of the brand, to the core of its layered, exquisite workmanship, to the soul of the Anju Modi woman. Memories of the past are given new life, crafted into modern heirlooms to last a lifetime.

Inspiration

Finding her muse in art comes naturally to Anju Modi, she looks at everything from the intensely feminine works of Raja Ravi Varma to the intricate detailing of the miniature painting tradition

Fabric Story

 mashru from Gujarat, kinkhabs from Kashmir, especially-weaved brocades from Benaras with unique motifs like kalash, as well as Tanchoi silks.

Features

Highlights

·         Signature mix of textile innovation and exquisite embroideries.Archival textiles and heritage embroideries are reborn, reimagined and reinvented with a contemporary eye.

·         Outfits accented with ethereal crafts like zardozi with dabka and mukaish and a sprinkling of foil print.

Color Canvas

 A good mix of creamy ivories, marble tones, haldi hues along with fiery reds, purples dominate the palette.The colours, the timelessness and versatility of the lehengas to be able to mix-and-match with other pieces like crop tops, shirts and bottoms will get more mileage out of the garments for years to come.

#ICW2020

 #DecodingCouture.

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Collection Note

She is Innocence.

Adorning herself for a sacred moment, readying herself for a divine ritual, a loving promise that will change her forever. Water and milk anoint her, purify her, prepare her. Turmeric and sandalwood paint her, perfume her, bless her. She is a dream in creamy ivories, a moving sculpture in delicate marble. She is all skin and shyness, with flashes of curiosity and wonder, awaiting her beloved.

She is Mischief.

Teasing and feisty, artful and whimsical, a free spirit tamed by her own joyful heart. She dives into forgotten memories, searching for stories woven in cloth, tales written in thread. She is a vision in radiant ochres and mossy greens, all laughter and play, with moments of sweet defiance. An arched brow, a quiet wink, a dimpled smile. She is as much chaos as calm, as much sweetness as spice.

She is Passion.

Savagely beautiful, fiercely feminine, a woman rapturously in love. She waits, brimming with tenderness and ardour, ready to embrace her new life. Chants reverberate deep into the earth, swelling through the corridors of her heart; the holy fire burns both outside and within. She is a rhapsody in deep, powerful crimsons, with blazes of fiery purple. She is both princess and queen, lover and beloved, disciple and goddess.

She is Sindoori.

Sindoori is a very special, lovingly crafted couture collection that heralds a new dawn for the brand, that paints a dream of colour and memory.

Jewellery partner: Krishna Jewellers

FDCI India Couture Week 2020

Day 5

Falguni Shane

 “Spectacle Privé”(Opportunity To See Or Experience Something Before It Is Officially Presented Or Released To The Public.) bespoke bridal lehengas in classic red — a colour that is immensely significant to the Indian bride.

Inspiration

Rich heritage, culture, architectural marvels, abundant flora and fauna of Jaipur, the Pink City

Highlights

Emphasis on color Red The inspiration is from palaces in Jaipur, the architecture and the lifestyle of the Maharaja.

A lot of detailed handworks, crystals, Resham work

Designers Take

Falguni Shane Peacock-”The purpose of this fashion film “ Spectacle Privé ” ICW 20/21  is an artistic showcase  to co-relate and recreate a reverie as the excitement from runway shows live to a new narrative form of showing couture via a  fashion film” says  the idea behind .”Spectacle Privé ”  is to take viewers behind the scenes, to witness the intrinsic effort put in every creation presented in each look. We are using this platform to present our inspirations and to tell the stories of our design concepts and how couture comes to life.”

. #ICW2020 #DecodingCouture.

 Watch the fashion film ( shot at St Regis,Lower Parel,Mumbai

FDCI India Couture Week 2020

Day 5

KUNAL RAWAL

Hide & Seek

 Kunal Rawal’s neo-vintage couture collection for the MAN today has a wide array of options to choose and match your personality, mood and body type.  Shirts paired with bandhgalas, blazers over kurtas, and cropped embroidered jackets worm over dhotis and kurtas… The collection celebrates the legacy of Indian hand craft in a unique way and displays its signature style of – comfort meets luxury!

Color Canvas

A wide variety of colours such as pinks , blush pinks, whites, olives and shades of beautiful pastels accentuated with gold and oxidised silver for that understated bling.

Highlights

·        Use of intricate, delicate embroidery such as French knots are some of the signature touches

·        Vivid prints, intricate textures, contrasting thread work, metallic highlights embellished with oxidised stonework

·        Special attention paid to detailing such as buttons on the shirts, bandhgalas and sherwanis craft and handworked detailing.

·        Body cheat patterns and fits, unique techniques for garment construction such as deconstruction and mock layering – where separates can be broken up and worn in multiple ways and men can create multiple looks with every garment.

Multiple Trends for the Season.

·        Neutrals for wedding wear, military colours like olive – a new favourite amongst grooms. An entire colour palette of pastel shades will be the latest trend.

·         Metallic highlights in full gold and oxidised silver for minimal and understated bling.. The nuances and techniques in garment construction to introduce new shapes and silhouettes

 Designer’s Take

 Kunal; Rawal-“The silhouettes are dominated by body contouring styles, cuts that shape the body achieving a clean and lean look while adhering to the tone on tone sensibilities of the label. Continuing our tryst with the richest form of embroideries like french knots, we have created patterns that rise up to form a three dimensional visual illuminated with highlights that are ideal for every man’s festive needs. As this collection is inspired from the Global man today, it is definitely not geographically bound and will cater to an audience who connects with our aesthetic. Through this collection, we have kept in mind and catered to all the occasion wear needs of a Man, from deep rooted traditional to modern luxury!” 

#ICW2020   #DecodingCouture #FDCIGoesDigital Archana Aggarwal Timeless Jewellery

@kunalrawalmen

@kunalrawalofficial

@kunalrawaldstress

Watch the Couture Film Shot at the gilded 18th-century State Central Library in Mumbai which is flanked by pristine white pillars and staircase.

FDCI India Couture Week 2020

Day 4

Shantanu & Nikhil

The Resurgence

The Resurgence by Shantanu and Nikhil is an ode to hope, it is the spirit to resurface and recommence our duties to the universe. With an almost spiritual connotation to the capabilities of cyclic existence, the collection celebrates a renewed strength & power to adapt and #RiseAgain, instilling the hope that life will be back to normalcy.

Highlights

·        Metallic influences, goth appliques and zardozi work on the gowns and dresses to redefine structure & linearity that is signature to Shantanu & Nikhil.

·        Signature draped kurtas for men find a new companion in the structured bandhgalas and sherwanis.

·        Designs are out of the box (very structured and yet, the inimitable style of the drape is there) and are inspired by geometric angles. There is an architectural undercurrent to the  collection

 Color Canvas

Blacks, Greys and Reds

 From Shantanu & Nikhil…

“ As the world is pushing through these tough and challenging times, there has been a paradigm shift in the way we would like to use our fundamental brand values in order to forge a more inclusive and conversational relationship with our consumers, thereby focusing on art, creativity and collaborations.”

“The Collection is shot as a fashion film at The Roseate Hotel in New Delhi which is a perfect Anti-trend architectural setting that added to the overall narrative- The Resurgence. Shot in five episodes, the film resurfaces like a volatile glitter only to paint the world brighter going forward. Much like the intricately carved pillars of age old values, the collection reinterprets our classics & brings back the opulence of our journey, almost like a re-incarnated phoenix. The abundant usage of metallic gold & sheen goes well with our contemporary sense of aesthetic & decadence of the collection bringing to the Center Stage our interpretation of the neo-luxe bride.”

#ICW2020

 #DecodingCouture

@fdciofficial

@shantanunikhil

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FDCI India Couture Week 2020

Day 4

Reynu Taandon 

SURKH

A lovely line of lehengas, Anarkalis, traditional Saris, Sharara and Gharara -tastefully crafted, distinctive with exotic motifs & rich hues.

Inspiration

From the contemporary bride, a girl that re-conceives fashion with all that’s modern and minimalist with a traditional twist…

Color Canvas

From heavily embellished baby pinks, fuchsia, fuchsia reds to reds

Highlights

Eco friendly and handwoven.The USP, of Reynu Taandon design lies in the thread work and the old world charm of her work and she has kept her signature art intact in her collection For Reynu Taandon, this season is all about taking a leap into clashing kaleidoscopes of color where every color has its own inspirational factor.

 Designer’s take

 “My entire collection this time will be a complete hand woven, eco friendly chanderi collection with lots of light zari work, block printing, gota patti work, patch work and the zardozi work.I want my brides to look elegant maintain the old world wedding charm in a contemporary way and thus i have named my collection SURKH

#ICW2020

 #DecodingCouture

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Healthy Brunch Recipe

Quinoa Porridge with Goji Berries and Sunflower Seeds 

                       By Chef Rupesh Khandekar, Sous Chef, Earthplate, Sahara Star

 Ingredients:

Quinoa     50gm

Almonds    10gm 

Pistachios    5gm

Blueberries    5gm

Apple                1 no

Coconut flakes  5 gm

Cinnamon    2 gm

Raisins    5 gm

Milk    100 ml

Honey     50 ml

Method:

1. Heat a deep bottom pan and add 3/4th cup milk and add quinoa.    

2. Add all nuts and allow to simmer for about 10 min and rest of the milk.    

3.Cook more for about 10 to 15 min until quinoa is cooked     

4. Add water if consistency is not set.    

5. Add honey as a sweetening agent    

6. Top with goji berries and sunflower seeds  

FDCI INDIA COUTURE WEEK 2020

DAY 3

JJ Valaya Couture 2020-21

BURSA

The Ottoman Saga

. Forty eight pieces comprising both menswear and womens wear revolve around the 3 key silhouettes of Indian weddings and celebrations: The Lehenga, The Sherwani and The Sari along with the label’s latest addition: the IKA jacket, which is a younger sibling to ‘Alika’, one of the labels’ cult and iconic jacket,

Inspirations

Ottoman silks, which were among the most characteristic and artistic products of the empire, besides the nomadic kilims of the period. Additionally, Ottoman miniatures, known as ‘Taswir’, which are painted to illustrate manuscripts or used in dedicated albums, and the art of ‘Tezhip’, (meaning ornamenting with gold), a non-figurative painted or drawn decorative art in books or on a sheet are eminently pervasive in this year’s collection. Also, part of the label’s discoveries this season are jewels of the Ottoman Empire, with the ‘Topkapi’ palace jewels, which are counted amongst the largest such treasuries in the Islamic world, holding the main treasures of the empire. Details of Turkish armour, especially the quills used then, as well as a medley of Turkish flora, fauna and fruits such as pomegranates further enrich this year’s collection.

 Highlights

·        Swarovski crystals, silk threads, beads, pearls and Zardozi beautifully sewn into the ensembles. Belted saris and bandhgalas remained the key highlight of the presentation.

·        Use of burnished metallics and golds to give an antique aesthetic to the garments, a distinguished signature of brand.

·        The collection further enriched with the Turkish flora and fauna prints.

 Fabric Story

Fine silk and velvet fabric

The Jewelry Partner

Archana Aggarwal from Timeless Jewels.

This Ottoman inspired winter collection is named after ‘Bursa’, a city which holds a special place in Ottoman history as their founding capital, and also as the birthplace of Ottoman architecture..His first virtual show, titled Bursa at India Couture Week, was a visual narrative of the Ottoman empire, known for their ornamentation and artwork.

 Designer’s Take

In our legacy of many endearing firsts over nearly 3 decades, we once again look forward to being a part of yet another first in India, the FDCI Virtual India Couture Week,” says JJ Valaya.

#ICW2020

#DecodingCouture

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FDCI INDIA COUTURE WEEK 2020

DAY 3

DOLLY J

गुलेनार

 “यूँ करीब से देख अपने गुरूर को,
  पलकों पर परछाई तेरे जश्न की दिखे,

गुलों के नज़्म की गुलनार,
 कभी जिन्दगी को यूँ इतराने दे
   के तेरे आने से रौशन कायनात हो”

(Nothing can dim the light that shines from within; nothing is more impressive than a “Gulenaar” who does not seek validation as she is confident in the extraordinary way Universe has created her).

The collection has been specially designed keeping the Indian weddings in mind. Titled “Gulenaar” the collection of lehengas and gowns is  elaborate yet , “functional bridal wear”. 

Highlights

Intricate handwork of silver and gold threads

Heirloom chikankari given a new avatar with western drapes.

 Fabric Story

A special fabric is developed. It is Luxe silk organza woven with jacquard,

Color Canvas

 The palette is rich with a mix of pastels and jewel tones. Singular in their exquisiteness and elegance, each ensemble is a piece of art and time-intensive.

#ICW2020 #DecodingCouture

 Watchhttps://www.youtube.com/watch?v=jLgRwa9BPQY

Why Golden Gate?

The History behind The Name

By David Armstrong

Why isn’t the Golden Gate Bridge painted bright yellow-gold? Isn’t it named for the California Gold Rush, as in “this way to the gold mines, we’re gonna strike it rich?’’ Actually, no, and no.

The world-renowned bridge is named for the Golden Gate Strait, the narrow, turbulent, 300-foot-deep stretch of water below the bridge that links the Pacific Ocean on the west to San Francisco Bay on the east. As for the strait, its name slightly predates the 1849 start of the Gold Rush and was inspired by something else entirely. There’s a story behind that, one of many in this storied city.

Golden Gate Bridge

In 1846, when soldier, explorer and future presidential candidate John C. Fremont saw the watery trench that breached the range of coastal hills on the western edge of otherwise landlocked San Francisco Bay, it reminded him of another beautiful landlocked harbor: the Golden Horn of the Bosporus in Constantinople, now Istanbul. Fremont used a Greek term to name it: Chrysopylae – in English, Golden Gate. In his 1848 “Geographical Memoir,’’ Fremont added another layer of meaning: The rugged opening to the Pacific, he wrote, is “a golden gate to trade with the Orient.’’

Embarcadero pier and Bay Bridge at sunrise.

It was about time. European ships sailed by the narrow opening for two centuries without seeing it. In the thick, swirling coastal fogs of summer, even intrepid navigators like Sir Francis Drake passed by the hidden Golden Gate without sailing through it. In 1769, a Spanish scouting party finally spotted the passage, though they were on land at the time. Not until 1775, when Spain’s Juan de Ayala took his ship San Carlos through this watery notch in the hills, did Europeans sail into the Bay.

Wild flowers with Golden Gate Bridge on background.

By the early 20th century, “the Golden Gate” was a well-established place-name. It was a cinch the magnificent new bridge spanning the strait would be named for it: the Golden Gate Bridge. Oh, and the color? The bridge was painted an orange vermillion dubbed International Orange prior to its opening in 1937 because the color stands out against the spectacular backdrop of sea, land and seasonal fog.

Bird and boat in front of the Golden Gate Bridge

 About The Golden Gate Bridge The bridge is one of the most internationally recognized symbols of San Francisco and California. It was initially designed by engineer Joseph Strauss in 1917. It has been declared one of the Wonders of the Modern World by the American Society of Civil Engineers.